
Was the Australia Concil’s abolition of the New Media Arts Board the single worst decision by an Australian cultural agency of the last decade? It’s certainly beginning to look that way.
...full of 100% stuff that amuses me, or I use as a muse, or happens to catch my eye or fall into my lap...an alternative to it all fiddling about in my brain...

Was the Australia Concil’s abolition of the New Media Arts Board the single worst decision by an Australian cultural agency of the last decade? It’s certainly beginning to look that way.
re-rite is a new experiment by the British Philharmonia Orchestra and its Principal Conductor Esa-Pekka Salonen. It tries to confront the problem that most concert-goers not only are passive but also lack any sense of how they can actively engage through listening. re-rite tries to solve this problem by turning a recorded performance into an activity space.
re-rite, the Philharmonia Orchestra's Digital Residency, will allow members of the public to conduct, play and step inside the Philharmonia Orchestra with Esa-Pekka Salonen through audio and video projections of musicians performing Stravinsky’s The Rite of Spring.
Opening to the public at the Bargehouse on London’s South Bank on Tuesday 3 November, the project will show every section of the Orchestra performing The Rite of Spring simultaneously ‘as live’ throughout a four-storey warehouse building. The public will able to sit amongst the horn players, perform in the percussion section and take up the baton and control sections of the Orchestra as they play.
Stephen does a great job of summarising it and linking through to other articles...all I'm going to add is when can we do this with the AOBO?

socialinterior I find this event very focused on the major performing arts and the issues they are having catching up on where everyone else is at #rtarts
artsdigitalera RT @The_Art_Life: New media world collides with old world art politics of entitlement.#RTArts
socialinterior The Australian Opera discovers social networks#rtartscommuter_dirge@aussiecosi has 88 following, 54 followers, and 91 tweets. Hardly a roaring success... #RTArtscommuter_dirge twitalyzer score for @aussiecosi:http://tr.im/Db2n: "0.3 influence" "0.0% generosity" "0.7% clout" (now I'm just being mean) #RTArtsunsungsongs . @commuter_dirge and 66 facebook firends. That's a #fail surely?#RTArtscommuter_dirge @fireinthesouth well, that's you're brand, just as@AussieCosi is a branded account. It's really not a great case study. #RTArtsunsungsongs I am extremely curious about whether those involved in Aussie Cosi see it as a success and how they judge that?#rtartsmattriviera @aussiecosi What did you learn thru social media feedback you couldn't have gotten thru a survey? Best use of social media? #RTArtsmattriviera @aussiecosi Wouldn't a good way for fan community to engage with the work be for them to appropriate it? To re-interpret it? #RTArtsshoes_off @elliottbledsoe @commuter_dirge true, but showcasing a more active community than cosi would have displayed the scalability of SM #rtartscommuter_dirge @bimyou_bimyou I'm not talking monetising twitter in and of itself. but you need to show some proof of it working & a correllation #RTArtsdziga @aussiecosi doesn't seem to have a lot of followers #rtartsrevealingarts Katrina Sedgwick: "Messing", "playing", "getting in there", these are the kind of mind frame to approach digital, not "sell tickets" #RTArts

Are you wondering what’s happening to arts and culture in the new digital world? Where will the money come from? How will we manage rights? Where do we find creative partners? What works and what doesn’t? And what are we leaving the next generation? The Australia Council for the Arts and the ABC invite you to be part of a selected group of strategic thinkers, artists, practitioners and directors who will uncover the opportunities for the arts that the digital era presents.Today and tomorrow, the ABC and the Australia Council are hosting 'Revealing the Arts: creative conversations and solutions for the digital era'. The program of discussion appears to be covering the current and future role of digital across areas such as a education and opening up access to arts, while tackling 'issues' such as copyright, rights management and commercial opportunities in the digital era.
there are vital basic assumptions that are rarely questioned: that the culture, the cultural organisations that deliver it, the cultural needs and infrastructure of Australia will remain more or less fixed. Technology is merely about the marketing, the branding, the language, the revenue and the education programs. The idea that the culture itself is changing and evolving is rarely considered. Technology merely changes the hype and the pitch to keep the kids interested.
The ABC has long moved beyond that. The broadcaster has realised that in order to justify its continued existence, it needs to keep questioning and evolving its roles.

Erik Gensler of Capacity Interactive Inc.Google is governed by the following: openness, sharing, aggregation and capturing customer data. The more customer data you have the more you learn and the more you can improve. So inspired by Jeff Jarvis' book What Would Google Do?, I thought about the following: If Google were a performing arts organization it would...
...aggregate all critical reviews and share them to help people decide if they want to attend a performance
...survey ticket buyers after each performance and send them to a forum where they could comment on performances they've seen
...allow people to vote on future rep
...put all production designs on line for people to examine and comment upon
...have 100% flexible exchange policies
...video and share rehearsals and other behind-the-scenes footage
...promote all other arts organizations
...encourage all management and artistic leadership to blog
Is your organization doing any of these things?
Why not?
