Friday, July 31, 2009

Born Digital...

I'm sure I've used that phrase somewhere...a collection management course presentation perhaps? Anyhow, here's a note to self...this could be someone to seek out for some more information.

Born Digital Records: What Next?
Katharine Stuart, Project officer, Digital Strategy at State Records NSW, will talk about the "Future Proof" project. This overarching strategy covers the creation and management of digital records for NSW.
Time: 10:00am-3:00pm Aug 01 Cost: $17 incl lunch
Venue: History House, 133 Macquarie St, Sydney
Enquiries: Royal Australian Historical Society www.rahs.org.au (02) 9247 8001

Tuesday, July 28, 2009

Arts Council (UK) Digital Content Snapshot

MUST READ!!!

These lot know their stuff...wonder if Ozco will catch up?


    Digital opportunities is one of the Arts Council's four priorities for 2008-2011. Part of the programme is a three year research programme. The research will perform three key functions:

    • Generating in depth knowledge of the way digital technology is changing the context in which artists, arts organisations and the Arts Council are operating

    • Providing a clear understanding of the opportunities and challenges that this changing context creates for artists, arts organisations and the public

    • Identifying where the Arts Council could intervene in order to create most public value

Issues to be investigated include:

  • the impact of digital technology on how the public perceive, understand and engage with the arts

  • how digital technology is transforming art and artistic practice

  • the implications for content creation, distribution and ownership

Nina Simon love...

I really get inspired by almost everything Nina Simon writes...always something of interest that just piques the grey matter...

Here's another great post...


"I've become convinced that successful paths to participation in museums start with self-identification. If you want visitors to share stories or personal expression in your institution, you need to respect them as individuals who have something of value to contribute. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. What am I talking about? I'm talking about personal profiles.

Who is the "me" in the museum experience? Museums are surprisingly poor at allowing visitors--even members--to self-identify and relating to them based on their unique identities. Asserting personal identity with respect to an institution is something we do daily in other environments. When I walk into my climbing gym, the staff member at the desk greets me by name. When he looks me up in the computer, he sees how often I come, what classes I’ve taken, and any major safety infractions on record. In short, he knows me by my actions relative to the gym, and he can offer me custom information based on my past behavior. I have a relationship with the institution, mediated by a computer and a smiling face."



Monday, July 27, 2009

Virtuous circle – from visitor to speaker

Here's the type of stat that I would love to see more of. This could be the clincher on how to do it all. But again, it takes significant man hours from your organisation to make these type of connections, or does it? Isn't it merely a refocus of resources? Isn't it a means to unlock content that is not in the format of your usual supply, or to extend the life of the content you have? Is not this what they teach us all in marketing classes....Ladder of Loyalty anyone. I'm sure there's a communication-based model similar...and also a learning/engagement one...(wonder where those notes are?) but for me, it's simple...and as Seb Chan offers up....it works. One connection at a time. Bravo Powerhouse!


This short post is for everyone who naively asks about the “ROI of social media” and whether “websites can be proven to result in museum visitation”.

Two years ago Bob Meade wasn’t a regular visitor to the Museum (despite being directly in one of our “target demographics”) let alone a user of our website.

Then we released a bunch of photographs to the Commons on Flickr. These peaked Bob’s interest and reminded him that the Museum existed in his very own home town. (You can read more about that in an interview with Bob from last year – part one, part two.)

Now he’s speaking at one of our weekend talks!

Bob is blogging the prospective content (and museum favourites) of his talk over at his own blog.

It is important to understand that this wasn’t the result of a “marketing strategy” – it was the result of making valuable museum content broadly available and then engaging our communities in honest, personal conversations.

If you are in Sydney, then come along and hear him speak on September 6.


Friday, July 24, 2009

Texting at a Symphony?

Cellphones are hardly applauded in concert halls, where it’s considered gauche to have them turned on, much less to pull them out during a performance. So at a recent Indianapolis Symphony Orchestra concert of classics like Beethoven’s Symphony No. 5, it was a little surprising when the conductor instructed audience members to take out their phones.

Symphony administrators had decided to let the audience choose the encore by text-messaging votes: “A” for Aaron Copland’s “Hoedown,” or “B” for Wagner’s prelude to Act III of “Lohengrin.” (“Hoedown” won by 23 votes.)

Outdoor concerts dead? Digital rules?

... 'It seems clear that these popular HD screenings are becoming the public face of the Met and pushing aside the company’s live outdoor performances'.....so what to do for Opera in the Domain?

More of the story



Thursday, July 23, 2009

Things I should of remembered from 2008

Now, how about a blast from the past? I was at this presentation. I remember it, I remember thinking yes, this is the kind of thing I need to be hearing.

I think I'm also starting to mix it up with one from the 2009 Ticketing conference in Feb this year. But no matter, never hurts to be rousted by a stirring keynote speech...

How's this for some info?

About 14 years ago I learned something about the relationship between many Americans and the arts. I was teaching a general survey course, Intro to Theater, at a small public university in ldaho, a rural state known mainly for its potatoes. On the first day of class each term I would ask the 120 or so students to raise their hands if they had ever seen a professional theater production. About 10 hands would go up. I would then say, "Raise your hand if you would like to see one." 15-20 hands would go up. Remember, this was before podcasting, blogging, YouTube, MySpace, Iphones, and P2P file sharing revolutionized communication and social networking.

So, I would ask of the remaining students, "'Why wouldn't you want to see aplay?" The answer was generally, "I've gone this long without seeing a play, and I don't feel like I'm missing anything."

You don't miss what vou've never had.



Copyright is an artefact designed exclusively to encourage the continuation of a society based on debt

Is that a great statement or is that a great statement!

So...how do we get rid of copyright on the stuff the place of toil owns?



Wednesday, July 22, 2009

Social Media meets Bums on Seats...

Don't you just love the value of the web and twitter and other people's blogs for bringing these debates to life.

Here's a thought that occured to me...why invest (well I know why) in social media became very quickly how to convince others to invest when our core business is 'bums on seats', and then... what does digital mean for non-digital content, is there a business model for this?

How useable is the Mobile web?

so kicking this off very easily as just a list of all the things I want to read up on in the coming weeks or never, but think I need to read...why oh why do I never have time to read this stuff, but feel like I have to?

Anyway, this stuck me as very interesting, wonder if certain cultural institutions of my acquaintance have ever given this any thought?


(a repost from ReadWriteWeb)

Recently, researchers at the Nielsen Norman Group put the mobile web to the test in a usability study that looked at twenty different web sites on six different types of handsets. The results? The mobile web still leaves a lot to be desired. It's so bad, in fact, that principal researcher Jakob Nielsen, co-author of the study, compared today's mobile web to the web sites of the early 90's.

But is the mobile web really to blame here for the usability issues? Or is this just a matter of people trying to surf a web that has evolved beyond what traditional cell phones and their awful built-in browsers can handle?

The Results of the Study

According to the new study, available as of yesterday from the Nielsen Norman web site, the average success rate for performing various tasks on the mobile web was only 59%. Compare that to 80% for the same tasks when performed on a PC.

"Observing users suffer during our ... sessions reminded us of the very first usability studies we did with traditional websites in 1994," Nielsen told USA Today. "It was that bad."

Some of the tests involved in the study had participants heading to specific web sites, including Fandango.com for movie reviews and Anthropologie.com for a shopping task. Other tests were more general and open-ended, allowing users to do web searches to find the answers to various questions. As they surfed, participants came across sites that were both mobile-ready and those that were not.

Not surprisingly, the researchers found that success rates dramatically improved when surfing the mobile versions of the web sites - by 20%, to be exact. Also not surprising was the fact that smartphone owners had less trouble performing the same tasks as users of traditional cell phones. For example, iPhone owners had an average success rate of 75% while other smartphones averaged 55%. Traditional cell phones, however, only averaged 38%.

Is the Mobile Web Unusable or is it the Devices People Use to Surf It?

The study calls into question the usability of today's mobile web, pointing out contributing factors to the problem which include things like small screens, awkward input on mini-keyboards, poorly designed sites, and bandwidth issues.

But the overall takeaway from this research feels like a case of putting hard numbers to information we already knew: surfing the web with your hot pink Razr's built-in browser is an experience that leaves a lot to be desired.

It is, in fact, the rise of the smartphone that has made the mobile web such a popular destination on both consumer devices and those designed for business use, like the Blackberry. Prior to what we can only call the "smartphone explosion," not much thought was given to the mobile web by users, web site owners, or by the handset manufacturers whose built-in browsers seemed to make the problem even worse in some cases. Data plans were an expensive luxury, too, so many people didn't even bother to add on the extra package that made mobile web surfing possible.

But when the smartphones took off, a movement in which Apple's iPhone has had a major impact, the mobile web felt the ripple effects of all the new users coming online. Not only were companies designing mobile sites, they were taking the time to design iPhone-specific sites, too. Although the iPhone wasn't the first smartphone in existence by any means, it has been a driving force of change for the smartphone industry as a whole. With its highly usable Safari web browser and touchscreen, other manufacturers had to step up their game in order to compete.

These days, every cell phone carrier offers multiple types of smartphones in their lineup from touchscreen Blackberrys to Android-powered phones to the iPhone and more. On these phones, the usability of the mobile web is not really an issue.

So what is this study really saying, then? If you want to surf the mobile web with ease, get a smartphone? Or perhaps it's pointing out how terrible the browsers are on traditional cell phones, seeing as how those who struggled the most were using what many would call "old school" handsets (aka "feature phones"). It's also interesting that no comparisons were made between the basic built-in browsers and a user-installed upgrade like Opera. With Opera Mini's sitecompression and zooming abilities, for example, accessing sites - both mobile and non - on any phone becomes much easier.

Ultimately, though, the market for feature phones may be on the decline, making usability issues such as the ones found in this study of less importance going forward. In March of this year for instance, IDC reported a decline in mobile phone shipments due to the poor economic conditions worldwide. What was really interesting, though, was that the smartphone segment of this market, while not unaffected, still remained in positive growth while the rest of the market was poised to expect an 8.3% downturn. As noted by the IDC report, that "speaks volumes about the potential upside for these devices when the market turns." What it means is that the market for feature phones is fading out. In the future, when every phone becomes a smartphone, the usability of the mobile web probably won't seem so bad.