What is dangerous, however, is when delayed gratification becomes an excuse for not living the life you want.How many people do you know that actually do the things they say they are going to when they reach arbitrary ages of leaving the jobs they have given their lives to? Far more common is the downsizing of dreams along the way.
If you want to play golf all day and take your medication at regular intervals, the 40-year career track plan should work well for you. If you have other ideas or ambitions, though, don’t kill yourself as a slave for the future. Instead, go and figure out where you want to travel and do something about it.
Sunday, July 4, 2010
Why you should quit your job and travel around the world...
Thursday, April 22, 2010
Launching into the digital realm

Friday, April 9, 2010
Call it a tenner...? (not a tenor)
Pricing, once barely researched or mentioned in the arts, is increasingly recognised as a critical marketing and financial tool. In terms of maximising revenue, the growing adoption and adaptation of yield management techniques suggest that a new, more dynamic approach to pricing is emerging. Call it a tenner is a new collection of essays and case studies that debunks the myths and legends surrounding pricing in the arts. Commissioned by Arts Council England and written by some of the leading names in the arts, it provides a fresh perspective on the art of pricing.

Thursday, April 8, 2010
The 'Do' list

A website is not, however, a digital strategy

"I am shaping a holistic map of how it could use digital tools across the organisation: in internal communications, project management, collaboration with trainees and social marketing to improve communication with participants and stakeholders.We identified existing activities and looked at how to integrate these into a new website that can be accessible to anyone, anywhere, on any device: photos from workshops will be shared on Flickr, a YouTube channel will display documentaries that currently sit on the shelf and mailshots will become blog posts. Website news will be moved onto Twitter, augmenting Threshold’s reach through automated, integrated tools. The new website will position it as a creative curator, exhibiting media in carefully crafted collections. Content hosted on social networking sites will be reintegrated into the main website which acts as a ‘hub’ for activity happening wherever its audiences are. A website is not, however, a digital strategy, and we are considering how to create a community of interest around Threshold’s diverse participants to provide ongoing support.There’s a fear of the unknown in this realm. We need to form new relationships and create a genuine, meaningful depth of engagement in the online world for both audiences, artists and stakeholders. This is about a culture shift which is both challenging and exciting for the future of Threshold.”
Thursday, March 25, 2010
...work stuff I promise!
Friday, November 6, 2009
On meetings...

On Meetings: A Note On Dreaded Corporate Etiquette
When we look back on our working lives and wonder where the time has gone, the answer is, of course, meetings. The meeting is to modern office work what the hunt was to our primeval ancestors. Beneath the surface, civility is where money is made and survival is ensured — while an intriguing variety of biscuits sits untouched and brightly lit in the center of the wood-effect table.
Though there is always much to talk about and an agenda to get through, the protocol of meetings dictates that they cannot begin too abruptly. There must be at least seven (but never more) minutes of chat, a piece of dialogue entirely unrelated to the real reason why one has left one's desk — and which meanders painfully around insincere considerations of the weather, the children and a recent sporting event. It is embarrassment that causes the chat.In a democratic egalitarian society, the person who has called the meeting hesitates before too clearly revealing its purpose to the subordinate or supplicant party seated across the biscuits. Just as manners were invented to disguise the brutishness of our appetites, so, too, the chat conceals the shame at the ruthless drives that pulsate beneath the politeness of office civilization. We may be itching to scold, order, bark, hire or fire, but, as if we essentially had nothing on our minds, we remark on the unusual chilliness of the season.Yet it is a recklessly naive employee who inadvertently continues the chat for even a fraction of a minute longer than the time subtly allotted to it by the most powerful person in the room. We all know the naive, touching Don Quixotes who sally forth on an over-long anecdote just after the chairperson has mumbled the customary "Right, then."What blatherers we humans are. If only we could communicate with the abbreviated accuracy of algebraic equations, and yet it is cheering that big decisions about the future of pipelines and data storage centers can be reached within a slurry of "To be honests" and "It could be argued thats".There is often a moment in the meeting when something external happens which brings an element of self-consciousness to proceedings: an ambulance, hammering from upstairs, a fat fly obsessively buzzing around one participant. One can't ignore the issue — though one has to be relatively senior or cocky to draw attention to it: "This fly is clearly interested in tax deferment ..."What immediate comedy and horror would result if a machine were plugged into our brains, beaming up on a PowerPoint screen all the thoughts we were having as we navigated the agenda; it would show our sexual fantasies, longings and despair while a little more sand trickled from the upper chamber of life's hourglass until we finally reached point 9.8 on the agenda.Alain de Botton is the author of the book How Proust Can Change Your Life. He lives in London.
Tuesday, October 27, 2009
Revealing the Arts - Day 2

socialinterior I find this event very focused on the major performing arts and the issues they are having catching up on where everyone else is at #rtarts
artsdigitalera RT @The_Art_Life: New media world collides with old world art politics of entitlement.#RTArts
socialinterior The Australian Opera discovers social networks#rtartscommuter_dirge@aussiecosi has 88 following, 54 followers, and 91 tweets. Hardly a roaring success... #RTArtscommuter_dirge twitalyzer score for @aussiecosi:http://tr.im/Db2n: "0.3 influence" "0.0% generosity" "0.7% clout" (now I'm just being mean) #RTArtsunsungsongs . @commuter_dirge and 66 facebook firends. That's a #fail surely?#RTArtscommuter_dirge @fireinthesouth well, that's you're brand, just as@AussieCosi is a branded account. It's really not a great case study. #RTArtsunsungsongs I am extremely curious about whether those involved in Aussie Cosi see it as a success and how they judge that?#rtartsmattriviera @aussiecosi What did you learn thru social media feedback you couldn't have gotten thru a survey? Best use of social media? #RTArtsmattriviera @aussiecosi Wouldn't a good way for fan community to engage with the work be for them to appropriate it? To re-interpret it? #RTArtsshoes_off @elliottbledsoe @commuter_dirge true, but showcasing a more active community than cosi would have displayed the scalability of SM #rtartscommuter_dirge @bimyou_bimyou I'm not talking monetising twitter in and of itself. but you need to show some proof of it working & a correllation #RTArtsdziga @aussiecosi doesn't seem to have a lot of followers #rtartsrevealingarts Katrina Sedgwick: "Messing", "playing", "getting in there", these are the kind of mind frame to approach digital, not "sell tickets" #RTArts
Monday, October 26, 2009
Revealing the Arts

Are you wondering what’s happening to arts and culture in the new digital world? Where will the money come from? How will we manage rights? Where do we find creative partners? What works and what doesn’t? And what are we leaving the next generation? The Australia Council for the Arts and the ABC invite you to be part of a selected group of strategic thinkers, artists, practitioners and directors who will uncover the opportunities for the arts that the digital era presents.Today and tomorrow, the ABC and the Australia Council are hosting 'Revealing the Arts: creative conversations and solutions for the digital era'. The program of discussion appears to be covering the current and future role of digital across areas such as a education and opening up access to arts, while tackling 'issues' such as copyright, rights management and commercial opportunities in the digital era.
there are vital basic assumptions that are rarely questioned: that the culture, the cultural organisations that deliver it, the cultural needs and infrastructure of Australia will remain more or less fixed. Technology is merely about the marketing, the branding, the language, the revenue and the education programs. The idea that the culture itself is changing and evolving is rarely considered. Technology merely changes the hype and the pitch to keep the kids interested.
The ABC has long moved beyond that. The broadcaster has realised that in order to justify its continued existence, it needs to keep questioning and evolving its roles.
Saturday, October 17, 2009
To intranet or intra-not?

Thursday, September 24, 2009
The 'freemium' model

Monday, September 21, 2009
Social Media policies...another database

Monday, September 14, 2009
Power to the Pixel

The democratisation of digital tools enables audiences to push-button publish, upload audio and video, and provides the opportunity for amateurs to pursue larger audiences than that of their professional counterparts. A new generation is coming of age in a connected world. With the advent of more screens, more media and ultimately more competition for people’s time, storytellers must consider the behaviour of the audiences they hope to engage.
How do we entice people to pay for content they can get for nothing? The key is recognising that in the digital world, there are new ways to measure value. The old model was one of scarcity, but in a digital world it is easy to make a copy, so there’s no scarcity and therefore less value in each copy.
Monday, September 7, 2009
If Architects Had to Work Like Web Designers

Wednesday, September 2, 2009
How Demand for Digital Experiences Is Transforming Our Physical Spaces

Thursday, August 27, 2009
Behind Ballet wrap
“Social media sites offer exposure into another world that one may normally never get access to” says Kate. And that is the intention of Behind Ballet. “We were always coming across these great stories that we wanted to share with everyone.”

Friday, August 21, 2009
4 months in Asia?

Thursday, August 13, 2009
If we turned off our web services
Monday, August 10, 2009
Are you still marketing like its 1999?
Did you realise that the Internet is now the most consumed media in Australia?
According to the 2009 Nielsen Annual Internet and Technology Report the average Australian spends 16.1 hours per week online. This is compared to TV at 12.0 hours per week, Radio at 8.8 hours, Video at 5.4 hours, Online radio at 4.6 hours, PC video at 4.6 hours, mobile at 3.7 hours, newspaper at 2.8 hours and magazines at 2 hours.
Hold on….Australians spend more time online than consuming TV & Newspaper combined? More time online than Radio, Newspaper and Magazines combined?
So the big question for business is: are your marketing resources being allocated to the right media?
Why does the average business automatically resort to TV / Radio/ Press when devising a marketing campaign?
Of course there are issues of target markets, cost-effectiveness and clutter with all media decisions, but I am alarmed by the number of businesses still marketing like it was 1999.
If your customers are now spending more time online than they are consuming other media, shouldn’t you be allocating more of your marketing resources to a superior web presence?
Shouldn’t you be worried about not being found at the top of relevant searches?
Shouldn’t you be trying to give potential customers as much great information as possible on your website to assist them in doing business with you?
Online is now your customer’s number one media priority…is it yours?
